Narration
A guided read for tours, explainers and clinic films. One voice through the whole piece. Names spoken the way a person would say them.
02 · Audio · Melbourne · since 2008
The voice has to match the picture.
Voice-over, narration and clean sound beds. Chosen for the film in front of us, not pulled from a library at random.
Email about audioWhat this is
Audio, in the same hands as the rest.
Sound is part of the advert, not a last layer. If the voice is wrong, the picture is wrong. Possum briefs the read, records or directs it, and beds it so the line can be heard on a phone.
Voice-over
Short reads for titles, stings and pages. The same line that is on the site, said once, cleanly.
Sound bed
Room tone, music under the line, and a mix that does not fight the words. Loud enough on a laptop speaker.
Clean-up
Existing recordings levelled, noise taken down, and the breath left in where it sounds human.
How a job runs
Four steps. Then it can be found.
01
Line
The script is locked before the mic goes on. No read of a draft.
02
Voice
A read that fits the picture: plain Australian where the client is local, a set accent only when the film already has one.
03
Mix
Voice forward, bed under, no surprise stings over the offer.
04
Delivery
A master for the film and a voice-only file if the page needs it.
Who it is for
A job, not a department.
Films and pages that already have a line. Tours, explainers, title sequences. Not a podcast network and not a jingle house.
From the studio
On Free City Tours the spoken guide is part of the film, not an afterthought. The same rule applies to a client job.
Next
Bring the audio job.
Say what the business sells and what you need live. One email is enough to start.